Worlds that do not exist until we build them. We create 3D scenes, light them like a film set and composite every layer into one clean shot.
What we make
3D scenes and environments for commercials and idents
Product and object visualisation
Particles, cloth, liquids and destruction
Compositing, depth of field and motion blur
Colour grading of the finished film
Who it’s for
Brands, broadcasters and agencies that need an image impossible to film, or too expensive to build for real.
Finishing
Every film is graded shot by shot: we measure blacks, whites and neutrals, set the balance and contrast for each shot and choose the look from the idea. Grading happens before titles, so type always sits on the final image. If your project includes live-action footage, you provide it and we composite and finish it.
How we work
Idea
A short brief, then several ideas in writing. You choose one before any images are made.
Script and storyboard
Shot by shot: what the viewer sees, what is said, how the camera moves and where the sound hits.
Design
Characters, products, places, colour and type, approved as style frames.
Animatic
The whole film in rough form with timing, voice and music, so changes are cheap.
Animation and CGI
Animation, 3D, effects and compositing, shown to you as quick previews after every change.
Sound and grade
Voice, music and sound effects mixed for each platform. Colour graded shot by shot.
Delivery
16:9, 9:16, 4:5 and 1:1 masters, each composed natively, never cropped.
Designed natively for 16:9 and 9:16, never cropped.
